Who is:

Profiles of prominent figures whose identities are a primary focus of their story.

David Hockney Revealed

Haig Chahinian

Many artists can school the world on how to love, and how to work. Just recently at the Brooklyn Museum we came upon an eye-opening example of how to bring your whole self to work by English painter David Hockney.

In the exhibit HIDE/SEEK: Difference and Desire in American Portraiture, we saw Hockney’s painting Adhesiveness, 1960, and learned that he actively integrated his sexual identity into his work.

David C. Ward, co-curator of “Hide/Seek” and historian at the National Portrait Gallery, spoke in a video about how Hockney has engaged his whole self in his work, and the corresponding description says it best:

Even though homosexuality was illegal in England until 1967, David Hockney presented his homosexuality directly, as integral to his art. While his paintings from the early 1960s did use coded references-to lovers and other gay references-the overriding avowal of male desire made these paintings a commentary on England’s proscriptions. And Hockney openly stated his intent to propagandize “for something that hadn’t been propagandized: homosexuality. I felt it should be done.”

Bravo Mr. Hockney! We’ve always loved your paintings, especially those depicting fantasy and reality in Southern California.

Learning that Hockney brings his whole self to work means there’s now even more about him to love.

What parts of you are integral to your work?

Image of BMW 850 CSi, 1995 detail via

Let Out Your Inner Geek [video]

Haig Chahinian

What were you interested in when you were 12? And do you incorporate it into your work today?

Maybe you should.

Our newest favorite scientist, astrophysicist Neil deGrasse Tyson, loved looking through telescopes at the age of 12. Now age 53, he hasn’t stopped yet.

Spotlighted by Carl Zimmer recently in Playboy magazine, the director of the Rose Center for Earth and Space at the American Museum of Natural History started out with a 2.4-inch refractor with three eyepieces and a solar projection screen. Writes Zimmer:

Tyson would run an extension cord across [his Bronx apartment building]’s two-acre roof into a friend’s apartment window. Fairly often, someone would call the police. He charmed the cops with the rings of Saturn.

His shenanigans were not without purpose. Three years later he would give his first hour-long lecture to fifty adults, fulfilling his wish to talk to people about the beauty of the universe.

We can really feel his passion for studying the cosmos. In fact he once said, “For me, talking about the universe was like breathing.”

Read more →

Come Out at Work: With Your Biggest Insecurity [video]

Haig Chahinian

Picture it: your biggest insecurity hides in the closet, sitting comfortably out of view. You prefer it this way, yet secretly you wonder what it would feel like if the world knew your inner pain. Then one day, BAM, you let it out at work.

This is exactly what Cassandra Bankson did recently, on the Internet, no less. The self-described model and YouTube guru produced a video in which she appears without makeup; points out the acne on her face, neck, chest and back; then completes her morning makeup routine on screen. The before and after shots are pretty incredible, demonstrating the power of creatively applied foundation.

“Well, showing off comes easy to a model,” we thought. And we were wrong. Bankson acknowledges at the beginning of the video:

Taking my makeup off is one of the most insecure things I could probably do.

Then once it’s all off, she confides, “I feel really disgusting,” and our hearts break for her!

Why does she do it?

We can see many reasons. One, the bulk of what she broadcasts on YouTube is make-up instructional videos, so by coming out she educates the public on how to use makeup to manage acne. Two, by coming forth with something as personal as blemished skin and the insecure feelings it brings, Bankson opens up her inner world, which attracts viewership. And three, in terms of business, the more exposure she has as a model, the more potential for modeling contracts.

About 4 million views (and counting) later, an appearance on Good Morning America, and increased confidence to continue revealing herself without makeup, she seems to be doing better than ever.

You, too, can benefit from revealing your biggest insecurity at work. Drawing people to you helps your professional development, since relationships are resources. And the more resources you have, the better off you are.

As with revealing any part of your inner life, it takes a lot of strength to come out with your biggest insecurity. Going by the looks of things, it’s worth it.

Watch Cassandra Bankson’s reveal below:

Image via

Top 10 Tips for Switching Careers [video]

Haig Chahinian

You know these techniques have to do with revealing your whole self at work, the question is:  how?

We look to the career path of Dr. Eric Lander, founding director of the Broad Institute of MIT and Harvard, a genetics research center established to help scientists work collaboratively, and whose mission includes discovering the molecular basis of major human diseases. He started out as a math genius, and–good for him–wanted more.

Recently highlighted in the New York Times, Dr. Lander’s work history can serve as a guide on how to find more fulfillment by switching your career track. From his story we gather these top 10 tips for switching careers:

1. Disrespect convention. If you’re working to transform something — be it a whole discipline, or your individual career — traditional norms may get in your way. Dr. Lander relates why the Broad Institute is interdisciplinary at its core:

We used to have these boundaries of the chemistry department in the chemistry building, and the biology department in the biology building, the math department, the computer science department. Young scientists today… have no respect for these boundaries, and they shouldn’t. They just munge it together… people are now exploring the fusion cuisine that comes out across all these different disciplines.

2. Leverage your frustrations. Author Gina Kolata writes:

“I began to appreciate that the career of mathematics is rather monastic,” Dr. Lander said. “Even though mathematics was beautiful and I loved it, I wasn’t a very good monk.” He craved a more social environment, more interactions.

3. Identify all your talents, then use them.

“I found an old professor of mine and said, ‘What can I do that makes some use of my talents?’ ” He ended up at Harvard Business School, teaching managerial economics.

4. Embrace your naivete. So many of us try to hide our inexperience; Lander knows better:

Read more →

Admit This, and Soar to New Heights

Haig Chahinian

Are you a finished product? We hope not, because if you were, by definition you’d be “finished.”  If you’re living, then you’re growing and learning, or evolving.

And this is a boon to your professional development.

As the principal says in the song “Dudley Pippin and the Principal” from Marlo Thomas’s Free to Be… You and Me,

Most people spend their entire lives trying to get un-mixed up!

Every one of us is a work in progress, including First Lady of the United States of America Michelle Obama.

Featured recently in a New York Times article titled “Michelle Obama and the Evolution of a First Lady,” the Harvard Law School graduate and former Sidley Austin associate is portrayed as one who’s learning and growing on the job. Author Jodi Kantor writes:

Michelle Obama’s trajectory in the White House was changing. She was mastering and subtly redefining the role that had once seemed formless to her, and becoming more acclimated to her new life.

You thought she arrived fully formed in her role as First Lady? To the contrary, like all of us, Obama is allowed to give herself space to acclimate to her professional role, and develop from there. Determining how to take up our role and task is part of what makes work engaging.

The wife of the President is aiming for new heights this year. If she can meet success by taking time to define her own work-life trajectory, so can you.  Or rather, so should you.  Admit that you’re in the grips of an evolution yourself, then see how high you soar.

Image via

Gender and the New C.E.O.

Haig Chahinian

One of the more poignant stories we know about organizational dynamics goes like this:

A Black man in his mid-30s was hired as a business development executive in a large consulting firm.  On his first day of work, his boss, a White man in his early 50s, said to him, “I’m glad you joined our team. Although I don’t want you to think that you were hired because of your race.”

To which he replied, “Why not?  You were.”

Whether we’re comfortable admitting it or not, we all notice physical characteristics of the people around us, including:

  • skin tone
  • height
  • body shape
  • hair texture and color
  • nose width
  • fullness of lips, and
  • size, shape and color of eyes.

From this data, we make inferences about individuals’ gender, race and ethnicity. And from these assumptions we often form conclusions about one’s competence, work ethic, and likeability, for example. Indeed bringing your whole self to work involves having conscious awareness of how your  gender, race, and ethnicity — plus other salient parts of your identity — impact your work.

So when Virginia Rometty was recently named the new chief executive of IBM (NYSE: IBM), it was surprising to read the perspective of Samuel Palmisano, the current chief executive. In a story from the New York Times:

Gender, according to Mr. Palmisano, did not figure into Ms. Rometty’s selection.

“Ginni got it because she deserved it,” Mr. Palmisano said, using the informal first name by which she is known to friends and colleagues. “It’s got zero to do with progressive social policies,” Mr. Palmisano added.

Just like the protagonist suggests in the story above, why wouldn’t gender be among the multiple multi-faceted factors that play into the selection of a chief executive?

Palmisano seems to be saying that Rometty’s promotion is not an affirmative action-related decision, which will ultimately help authorize her in her new leadership role.

We empathize with his need to be politic. Still, it would deepen workplace conversations if everybody acknowledged the role that gender often plays in hiring decisions. Not to mention provide significant relief in knowing the truth.

Up next: How gender impacts the world of journalism.

Image via

Poetry + Football = Recipe for Success

Haig Chahinian

Brandon M. Graham is an educator and author of A Love Supreme: Amputated Feelings & Prosthetic Apologies (Brownstone Publishing, Inc., 2005), as well as the forthcoming collection of poetry entitled Conciliation: Medicine for Melancholy (Brownstone Publishing, Inc. 2011).

He’s also a friend; once upon a time we team taught a professional development course at New School University.

We chatted online recently, and discussed the career path that has led him to become the published poet he is today. Our conversation took twists and turns, uncovering references to Russian literature, growing up with ministers, and wetting himself while writing.

The full interview follows, with very minor edits:

Haig Chahinian:  When you were 12, what did you want to be when you grew up?

Brandon M. Graham:  I remember wanting to be both a professional athlete and a writer of some sort. I wasn’t too versed in genre, but I know I loved playing sport and writing in my journal.

HC:  What kind of athlete? And that’s quite a mix! Did you share this with anyone at that time?

Graham:  As a kid I played organized football, basketball, and track. My parents and coaches have always been really encouraging. I think I had a natural aptitude for playing football. I idolized players like Walter Payton and Jerry Rice. Also, I did share it with my teachers, coaches, and classmates. I wasn’t necessarily ashamed about wanting to be a writer and surely I wasn’t ashamed of wanting to be a professional athlete. I think those thoughts of anxiety toward keeping a journal and writing crept in when I began high school.

HC:  In professional football, what did you want in that line of work? Fame? To crush other ballplayers? Fortune? The poetry of a perfect spiral viewed by millions? And what did writing in your journal feel like to you? It seems like you felt something significant, because you thought about pursuing writing professionally. (And tell me to slow down if we’re going too fast.)

Graham:  That’s funny you would use that language because really early on I found the poetry and symmetry in sport. I had always been a running back when I played football. I noticed the kind of choreography of a football play. You have eleven men going up against eleven other men–and that can both violent and exhilarating. However, the overwhelming feeling I walked away from each play was just how amazed I was that we were all in sync. So I really enjoyed teamwork and collaboration with others on the field. The fame and money and all that comes with being a professional athlete was all secondary. (OK, forgive if I’m typing too slow. I’ll do my best to keep up, but just be a little patient with me and we’re all good man. This is cool.)

HC:  So you were a thinker from an early age.  Both of these avenues — professional sports and professional writing — are hard to find success in!  What happened in high school, where I hear you say anxiety crept in? How did that happen? For example, was it completely internal? Or perhaps there were external forces at play? Read more →