What Does Jennifer Vidbel Plan to Do After 50 Years?

As you recall, Jenny Vidbel is the animal trainer of the Big Apple Circus — which is coming back to town! Below is a transcript of the second segment of our recent interview. Read on to learn:

* how Jenny’s parents would have threatened her as a teenager
* about the peace she experiences at work,  and
* what she hopes to be doing fifty(!) years from now.

So, you were a teenager. With rebellion?

JV: No, we were on a circus, my grandpa’s circus, and we moved every day. We were in a different city every day, and there’s a lot of work. My sister and I had our jobs that we did, and it was with animals. We had a petting zoo that we would set up. We’d care for the animals, feed and water and clean them and do all that. So there was rebellion? No, there was just no time for it.

HC: You didn’t say “I’m not going to be in the circus, I’m going to be a lawyer!”

JV: No.

HC: To upset your parents.

JV: I think if they wanted to threaten us, they would say we were going to go home.  And you know, go to public school and live a normal life. That was the threat for us. (Laughter)

HC: I remember you mentioned that your parents were very supportive – if you wanted to be a dancer, whatever you wanted in your life, to stay home, they were supportive, so there wasn’t anything to rebel against?

JV: There really wasn’t.

HC: In your upbringing.

JV. Yeah.

HC: So you were able to focus, and develop your love for the animals.

JV: Yes, absolutely. My sister went a different route; she wanted to be an aerialist, so that’s what she did. My grandparents were not thrilled with that because there’s danger, a great deal of danger involved. But they supported her, and she’s an accomplished aerialist.

HC: Aerialist, not acrobat.

JV: No

HC: There’s a difference.

JV: Yeah, acrobats are on the ground. Aerialists are in the air.

HC: Not a trapeze artist?

JV: A trapeze artist is an aerialist.

HC: Is a kind of aerialist.

JV: Yeah.

HC: So this is something we learn as well, the differences of artists within the circus. Tell us more!

JV: When I was 12, my sister wanted to do aerial – when we were 12, we’re twins – I loved my grandfather’s little white ponies, I just adored them. And he had eight of them. I knew that’s what I wanted to do. I started out with one, and my herd just kept growing. As I got more experienced and really started learning about horses, that’s what I wanted to do.

HC: Looking back, a 12 year old knows things, also a 12 year old does not know a lot. As a 12 year old – I hear you say it with such certainty – how did you know? What indication did you have of your certain knowledge of what you wanted?

JV: I was around my grandfather my entire childhood. He had this great love for animals, and that’s where he spent his time. He was in the barn, with his animals, all day. He would do his last barn check at midnight, and he was up at six in the morning to be right back down there again with them. I followed him, that’s where I wanted to be. There was just no question. And it wasn’t really even a thought; I didn’t have this goal, or this idea that this is what I was going to do. It was what I was doing. And I loved it. I didn’t want to be anywhere else.

I was home schooled, my grandmother was our teacher and I just could not wait to get out of the house. I was a very good student because of that. We couldn’t leave, my grandmother was very strict with the school. We got up in the morning and we could not leave the house until we were finished with our lessons for the day. So I was quick. I’ll read, I’ll do whatever you want me to do. Please I want to go to the barn, please. So it was great motivation, I just wanted to be in the barn around all those animals.

And to be around my grandfather who had this love. I wanted that too.  I wanted his passion and love for what he did. He was so happy no matter what, and here I am doing the same thing. You would see my grandfather in the pouring rain trying to fix a tent, or a flat tire or whatever because it’s part of the business. Not only setting up and tearing down the tents and stables, but the in-between, the traveling. When you’re carrying a lot of animals in a trailer, you might get a flat tire, you might break down. But you do everything with joy. This is what we do and we love it.

HC: You talk about work almost like it’s the air you breathe.

JV: It is. It’s the hardest thing to explain. When people talk to me about my job, I say it’s not a job. It’s so far from a job. I’m doing what I love to do and I get paid for it and that’s amazing to me — that I can make a living out of this. It’s kind of like a hobby or it’s my passion that I’ve made into my career. It’s great.

HC: Congratulations on finding this, and living it, and thriving, so clearly. How do you know when you’ve done a good job?

JV: In whatever I do, if I’m starting a new project, there’s just kind of a peace that comes over me. If I’m unsettled in something, then I’ll slow way down and I’ll think I’m not going in the right direction. It has to feel 100% right. I think I’ve really succeeded when I’ll have these questions and I back right off and I look kind of to a higher power and go with what feels really peaceful. Sometimes it means just waiting, waiting for the right answer. And I will, and it always turns out perfectly. Not the way maybe I had planned, I had these ideas and if they don’t feel right I quickly back off. In the end, here I am at Big Apple Circus where I’ve wanted to be my entire life.

HC: Is that right?

JV: Yes.

HC: I want to get to that. “It turns out perfectly.” I heard you saying. And what I understood following that, is “perfectly as it was, perfectly as it is.” You have an acceptance, and so it is perfect, as it is.

JV: As it is. It wasn’t maybe the plan that I had, but this is far better than I could have dreamt up. I just went with it instead of being stuck to this path, this idea. I just went this other way and it turned out just beautiful.

HC: So Jenny is describing a kind of barometer of sorts, inside, that you pay attention to, that lets you know how you’re doing, guides you in some ways. I think a lot of people at work get sort of cloudy, that barometer, that internal measurement gets foggy, it’s hard to pay attention to. You relate such clarity in being guided by what you have inside.

JV: Yeah, and It’s a funny thing to try and explain. But you really need to have peace. You need to have peace about where you’re going. You don’t have to have clarity, but you have to have peace.

HC: What does that mean, “peace?” Read more

Do This 1 Thing to Write Chart-Topping Hits

We Americans love to talk. It makes us a wonderful and lively bunch in many ways. Still, from all the chatter we can become hard of hearing. And no matter how well we multi-task, it’s impossible to speak and listen at the same time.

Lamont Dozier, songwriter and producer extraordinaire, knows this well. He’s responsible in part for hits recorded by Marvin Gaye, the Supremes, Alison Moyet and other luminaries.

He recently spoke with the Trojan Family Magazine about his work, and shared with writer Allison Engel the one thing that primarily influences his songs:

A lot of the songs and ideas come from me being very observant and listening to people. I used to go into restaurants – I still do – and eavesdrop on people having conversations. I see lovers having quarrels and everything. Being a songwriter, I can’t help but listen. It gives me great material.

Yes! Active listening. He continues, about what it takes to teach songwriting:

First you have to be a good listener and an observer. A lot of people don’t know how to listen. They’re too busy trying to tell you about themselves. Also, I find myself opening my window early in the morning to listen to the birds. And you know some of the sweetest melodies and counter melodies come from birds chirping and tweaking little rhythms and things… I think all songwriters have listened to birds.

While we’ve poked fun at this underrated skill, here we see that listening is valuable in so many disparate careers, including penning songs.

It’s also a core component of bringing your whole self to work. Listening to what’s going on in your environment can help you identify how to relate the various parts of your self to the context of your work.

Dozier is currently teaching at USC, in the Thornton School of Music popular music performance program. His insight about the world of popular music probably sends his students soaring.

What do you hear when you engage in active listening at work?

Read the full interview here.

Image via

Celebrity Career Makeover: The Inauguration

Sometimes it’s annoying to focus on public figures, and yet it can also be fun. On our TV show “Career Talk Live: And What Do You Do?”, we’ve had a segment called “Celebrity Career Makeover” in which we fashion a new career for a popular performer. And now we’re bringing it to wholewidework.com!

In this feature, we take a look at a relatively famous person, consider their transferable knowledge, skills and abilities, and thus propose a more accessible occupation for them. Since fame is often fleeting, it’s useful to be prepared for any circumstance.

For this inaugural post, we have a story about actors with actual dual career tracks. They don’t need a makeover, because their backup work plan is already established — in the field of science, no less! For your consideration, from the New York Times “Science” section dated February 28, 2011:

Mayim Bialik, currently in “The Big Bang Theory”:

Dr. Bialik has a Ph.D. from U.C.L.A. in … neurobiology. “I tell people, I am a neuroscientist, and I play one on TV,” said Dr. Bialik.

Natalie Portman, recently anointed an Oscar for her work in “Black Swan”:

She went on to Harvard University to study neuroscience and the evolution of the mind.

Hedy Lamarr, best known for “Samson and Delilah” (1949):

[Lamarr] was a rocket scientist on the side, inventing and patenting a torpedo guidance technique she called “frequency hopping,” which thwarted efforts to jam the signals that kept the missiles on track.

And our favorite, Danica McKellar, who played Winnie Cooper on “The Wonder Years”:

[McKellar] graduated summa cum laude in mathematics from the University of California, Los Angeles, where she helped devise a mathematical proof for certain properties of magnetic fields — a theorem that bears her name along with those of her collaborators. She also writes popular books about math with clever PG-13 titles like “Math Doesn’t Suck” and “Kiss My Math.”

When you work to access the full spectrum of your intelligence, you can be a star, and study the celestial stars.

Which celebrities’ careers would you like to see made over?

Image of McKellar via

Is Active Listening Overrated?

America’s Career Information Network–one of our favorite online resources, sponsored by the US Department of Labor–defines active listening as:

giving full attention to what other people are saying, taking time to understand the points being made, asking questions as appropriate, and not interrupting at inappropriate times.

Which basically means knowing how to keep quiet and use your full wherewithal to tune-in to what somebody’s saying. This type of acute listening leads to understanding people more truly, and making clearer sense of the world around us. It seems our friends at The Onion aren’t having it, though.

The article “Open-Minded Man Grimly Realizes How Much Life He’s Wasted Listening To Bullsh`t” equates active listening with listening to garbage. And the effect of such receptiveness can amount to hours of listening to:

* grossly uninformed political opinions
* both sides of pointless arguments, and
* parents’ bullsh’t about how important it is to be open-minded.

We laughed out loud! In the end, the news piece concludes with a quotation by “the open-minded man’s” colleague. He says “[my colleague] is such a good listener. A lot of people are closed-minded and self-absorbed, but [he] always makes an effort to hear where I’m coming from. The world could use more people like him.”

Heartened, we agree that the more people exercise their inherent active listening skills, the better the workplace becomes. Hear, hear!

Image via

Come Out at Work: As a Woman [video]

We love Iceland. Prime Minister Johanna Sigurdardottir is the first openly lesbian head of government in Europe, if not the world. Icelandair’s beautifully photographed ads on the subway transport us from the pushing crowds at rush hour. And we’ve liked Bjork since her days with The Sugarcubes. Now there’s a new heroine in the media, by the name of Halla Tomasdottir.

In the TED talk above, the founder of Audur Capital makes a number of keen observations about gender and leadership. In relating her own story:

Why would two women who were enjoying successful careers in investment banking in the corporate sector leave to found a financial services firm? Well let it suffice to say that we felt a bit overwhelmed with testosterone… in my country, much like on Wall Street and the city of London and elsewhere, men were at the helm of the game of the financial sector. And that kind of lack of diversity and sameness leads to disastrous problems.

She’s referring to the financial collapse of Iceland in 2008, the biggest of any country in economic history. Tomasdottir goes on:

So it was almost like coming out of the closet to actually talk about the fact that we were women and that we believed that we had a set of values and a way of doing business that would be more sustainable than what we had experienced until then.

It’s rarely easy to talk openly about how your gender impacts business, and the former corporate investment banker’s experience enlightens us about some of the challenges. She further explains:

The whole thing about the female trend is not about women being better than men, it is actually about women being different from men, bringing different values and different ways to the table. So what do you get? You get better decision-making. And you get less herd behavior. And both of those things hit your bottom line with very positive results.

Love her! Businesses benefit from the multiplicity of values and perspectives that a diverse group of people bring when they freely exercise their whole selves at work.

The title sounds like it may be about the plight of transitioning gender from male to female, yet we’ll explore that in a future post. We’re struck by the poignance of coming out at work with a part of one’s self that’s so readily visible, and obvious.

It’s poignant because Tomasdottir (pictured at right, on left) reveals to us the meaning of her gender relative to her work. And for being in tune with this part of her self, she’s handsomely rewarded.

Video via TED, image via

How to Display Your Sexuality at Work

We often hear statements like “what you do in your bedroom should stay out of the boardroom” — patent wishes to disregard how sexuality influences our work. Sex does play into our work, often subtly. We have pictures to prove it.

Raynard Kington was recently elected as Grinnell College’s 13th president, and soon thereafter the University of Southern California (USC) celebrated the inauguration of Max Nikias, its 11th president. The corresponding photos, or lack thereof, tell a poignant story about displays of sexuality in the workplace.

Dr. Kington’s history of professional accomplishments is substantial; the former acting director of the National Institutes of Health was responsible for spending $10.4 billion as part of President Obama’s economic stimulus package, and his educational background is a triple-threat–MD, PhD and MBA–all from the most prestigious universities. He has a partner and two children, and they live together in the president’s home at the college.

As a husband and parent, he certainly conforms to the traditional image of the college president as family man.  He’s also different from the norm because he’s gay.

Now here’s the kicker: the photograph of Dr. Kington above is posted on his blog and originates from the NIH. The image of Kington with his family on the left is embedded from an unfamiliar source. Because as far as we can tell, Grinnell College has no official portrait of President Kington with his family.

Why not?

To seek an answer, let’s look at Max Nikias, USC’s president, who has a whole page devoted to glossy images of him and his family (below right). We strongly believe that presenting a polished picture of the Grinell “first family” is not a matter of limited resources, because Grinnell’s endowment stood at $1.26 billion in January 2011.

Rather, it looks like an issue of displaying sexuality at work. As a straight-identified man, Dr. Nikias openly puts his heterosexuality on display simply by standing next to his wife. Whenever you’re with your spouse or significant other, it’s hard to hide that you’re a sexual being. And it’s common for prominent leaders to showcase their spouses and offspring in their work life. Politicians and college presidents come to mind, for example.

On an unconscious level, this is a question of coming out for Grinnell’s president, even though he’s already out at work. He even has it somewhat easier than others, with a spouse and children. On one hand, he comes out any time he references his partner, and on the other, should someone see him with his child and refer to his “wife,” he’s likely compelled to correct them with an automatic “my husband.” Rarely would he need to speak the words, “I’m gay.” Still, being out at work is a multi-faceted experience, and in this case we’re examining the visual publicity aspect.

Thus, we encourage Dr. Kington to present–online and off-line–a more formal image of his family, which would be helpful for Grinnell College, and for society at large.

We have a dream that one day we’ll all value the influence of our sexuality on who we are and on the work we do, so that someone like Zach Wahls will know better when speaking in favor of marriage equalityand against House Joint Resolution 6 in the Iowa House of Representatives. Raised by his biological mother and her same-sex partner, he concludes his remarks with, “the sexual orientation of my parents has had zero effect on the content of my character,” and the audience erupts in applause

In the workplace, and in the cases of Raynard Kington’s sons and Max Nikias’ daughters, this rings false.

So what’s a good way to display your sexuality at work?

With pride. Pride in your family, and pride in your self.

Exploring Ethnicity + Motherhood = Brisk Business

Today is Chinese New Year. Coincidentally, the Internet is ablaze with commentary about Amy Chua’s Battle Hymn of the Tiger Mother – 7,728 comments (and counting) on the Wall Street Journal piece alone. In this new memoir about raising two children, Chua reflects on her Chinese-American ethnicity coupled with her identity as a mother, to outrageous effect. There have been rebuttals, a public letter of support by her daugher, numerous appearances on television, countless book reviews, and ultimately:  brisk sales.

Currently #2 on the New York Times’ “Best Sellers List,” the polarizing book has become a phenomenon stemming largely from Chua’s candid discussion of how she’s raised her daughters. The examples already feel legendary. From the New Yorker review:

Chua’s rules for the girls include: no sleepovers, no playdates, no grade lower than an A on report cards, no choosing your own extracurricular activities, and no ranking lower than No. 1 in any subject. (An exception to this last directive is made for gym and drama.)

Publishing a memoir typically requires plumbing the depths of your existence in order to identify and share the aspects you find most meaningful. It takes sharp writing skills, and having a friend at a literary agency or publishing house helps too. Good timing is a final bonus. In looking into her self, Chua taps into the zeitgeist around China’s upward mobility in the world; timing like hers often translates into good business.

Chua brings her sense of humor to the prose, yet it seems some readers aren’t easily getting it.  That’s OK, having revealed intimate details about who she is, she’s laughing all the way to the bank.

Image by Larry D. Moore, used under a Creative Commons ShareAlike License via