Who is:

Profiles of prominent figures whose identities are a primary focus of their story.

Newest Crop of Champions to Come Out at Work [video]

Haig Chahinian

There’s been a rash of prominent professionals declaring their gayness recently. Remarkably, in their respective industries few have come (out) before them, probably because these fields lean toward the macho. Take a look at the rundown:

  1. Don Lemon, CNN reporter and news anchor
  2. Jared Max, ESPN New York 1050 sports radio host
  3. Georgia State Representative Rashad Taylor (D-Atlanta), and
  4. Rick Welts, president and chief executive of the Phoenix Suns — it’s a basketball team.

We’re totally touched by the sentiments these fellows expressed about the process of revealing their true selves on the job. Consider:

Don Lemon, in an interview with the Washington Blade, said “I just feel like a new person,” and

[In coming out now,] at first there was a perceived risk. That, you know, my livelihood would be taken away, that people would shun me, that people would ostracize me, that people would turn off the television and not watch me. Sometimes the fear of the unknown is worse than actually knowing, right? Now that I’ve come out, and I’m on this side, then now I’m living in that risk and that fear. Maybe there are people that won’t watch me. Meh! I’ll have to deal with it. Maybe there are people who are going to write bad, dirty things about me. Meh! I’ll have to deal with it. Before I was dealing with the possibility, which isn’t real. So now I’m living it. So now I’m walking, and taking those steps, and every single day, if it does indeed happen, then I’ll just have to deal with it. And I’ll have to discuss it. If it doesn’t happen? Then all of that fear was for naught. So the actual fear was losing my livelihood. Who knows? That could still happen. But you know what? I don’t think so. I tend to believe in the goodness of people.

Next, Jared Max put new meaning in “Maxed Out in the Morning”, his ESPN radio show, by declaring live on air “I’ve hidden behind what is a gargantuan-size secret here in the sports world. I am gay,” and then Read more →

Become an Expert in Your Field

Haig Chahinian

Geneticist Eric Schadt is the quintessential expert. He’s redirecting the practice of biology from a reductionist model to a systems model, which means he knows that finding the cure to a disease is more likely to be done by studying whole systems of genes rather than individual genes. And as if blazing a trail through this new frontier weren’t enough, the way he demonstrates all his expertise is really remarkable.

Dr. Schadt works to make all of his research findings freely accessible to everybody, including profit-seeking drug companies.  He realizes that the information he shares reflects the information he actually knows, which is what comprises his expertise, natch.

To this end, he co-founded Sage Bionetworks, a non-profit biomedical research firm with a mission “to create an open access, integrative bionetwork evolved by contributor scientists working to eliminate human disease.” Not only is he making his own knowledge available, he’s creating a repository for all biologists to make their knowledge accessible, too. Radical!

Just how much intellectual wealth does he share? Alot, all over the Web. Is there a better place to broadcast yourself in 2011? To Schadt, the Chief Scientific Officer of Pacific Biosciences, the answer appears to be “no.” Take a look at:

We glean so much by studying this guru’s example.  Mainly, to be open about the information you have is to show the scope of your expertise. The more information you share, the more expertise you have. So what about you? Read more →

Come Out at Work: As an Immigrant [video]

Haig Chahinian

Call us American-ist. Every time we’ve seen a picture of Arianna Huffington, we expected she spoke with an American accent. Her skin undertone seems pink, her hair is blondish, the Huffington name sounds WASP, really American dominant culture, wouldn’t you say?

Then at last we heard Arianna Stassinopoulos Huffington speak in a video produced by Dreams Across America, below, in which she describes her experience as an immigrant.

Upon closer inspection, we see some slight olive undertones in her skin, Huffington is her married name, plus hair color is easy to change. And lo and behold, she has a glorious Greek accent.

The new chief executive of the Huffington Media Group talks in the video about being born in Greece and going to Cambridge on a scholarship. She recounts moving to America and trying to get rid of her accent–which we interpret as trying to adopt an American accent–because as an immigrant, an accent sets you apart. She says:

I actually tried for a while to get rid of my accent–I haven’t done a very good job as you can hear–and then I kind of embraced it. I realized it was really complicated, changing your accent, and in a sense it’s now part of my identity.

Even the brightest among us sometimes work to change ourselves and fit in, to varying degrees of success, and much of the time–certainly in Huffington’s case–it’s energy wasted. Today she’s known as a charismatic leader, and her accent is part of her charm. She uses her immigrant status to engaging effect, referring to herself as a “Greek peasant girl,” for example.

An accent typically represents so much of who we are. It hints at multi-lingual capabilities, for example.  Those who speak more than one language use a part of their brain that monolingual folks often do not. An accent may also indicate a bi-cultural worldview. A broad perspective like this can be extremely helpful in solving complex problems.

So coming out at work as an immigrant can establish your worldliness, bring out your inner charms, and then land you a $315M merger deal. A pretty sweet realization of the American dream.

Were you born in a country outside of where you live? Are you out at work as an immigrant? How does this influence your work experience?

Photo via

From Dee to DVM: Celebrity Career Makeover

Haig Chahinian

One of our most adored TV shows growing up was What’s Happening!! starring Danielle Spencer as Dee Thomas. To us she was the main attraction, with dialogue that made us chuckle. To wit:

Momma:  Dee, where’s your brother?
Dee:  He gave me a quarter not to tell you. That he went to the party.

From 1976 to 1979, she was America’s bratty and lovable little sister, and today she’s an animal care advocate and author of Through the Fire: Journal of a Child Star.

In her memoir, the now Dr. Spencer-Fields recounts her love of animals from the tender age of 7. She raised Weimaraners, and often brought in abandoned dogs and cats near her home in New York City.

Even though she identified as an actor, the former sitcom star sought a mentor who encouraged her to attend Tuskegee University, and in four years she earned her D.V.M., or Doctor of Veterinary Medicine degree. As she started working professionally with animals, her mentor taught her about being a woman in a male-dominated profession, and about being African-American in the veterinary field. Invaluable wisdom.

Spencer-Fields was prescient to have connected with a mentor for help in navigating this uncharted terrain.  In her role as a protege, she opened for herself many doors into the veterinarian world. That’s right, before giving her mentor credit for the guidance she gave, we credit “Dee” for pursuing a mentor in the first place.

As the story goes, her acting work hasn’t endured–although it may yet return–while her work as a veterinarian remains. So Dr. Spencer-Fields, along with the many animals she’s treated in Southern California, shines.

Have you read Spencer-Fields’ book? What do you think?

Eric Schadt Commits Violence at Work (And So Do You)

Haig Chahinian

Contrary to his teddy bear looks, pioneering scientist Eric Schadt (pronounced “shot”) engages in battle every day at work. In a laudatory feature in Esquire, Schadt relates how the book The Structure of Scientific Revolutions by Thomas Kuhn influenced the way he thinks about violence in his career.

Initially published in 1962, Kuhn coined the term “paradigm shift,” which captures the essence of Dr. Schadt’s current endeavors. From Esquire:

According to Kuhn, scientific progress is not a peaceful process, characterized by the gradual accumulation of knowledge. Rather, it’s a nearly political one, characterized by acts of intellectual violence. A paradigm is like a king — it’s the body of knowledge and practice that coheres around a theory or a discovery, and in periods of stability everybody serves it by practicing what Kuhn calls “normal science.” Eventually, though, it becomes insufficient to its own ends and enters a period of crisis, during which it comes under attack by those practicing “extraordinary science.” At last, the king is overthrown, and that’s a paradigm shift.

Schadt, who practices extraordinary science as the Chief Scientific Officer at Pacific Biosciences, says, “I remember the exact month, almost the exact day I started reading that. It was when I first started graduate school in 1993.”

The article continues:

A paradigm shift requires not only scientists practicing extraordinary science; it requires “attackers” and “persuaders” willing to declaim the end of the old order and announce the dawn of the new. Schadt has turned out to be both. He’s very aware that biology is in the middle of a paradigm shift and very aware of his role in both the murder of molecular biology — the king is dead! — and the establishment of its successor. He’s even produced a documentary film entitled The New Biology, which heralds the arrival of a biology that’s “more like physics” and “more quantitative in nature” than biology has ever been.

Did you catch that? To recap: 1. The discipline of biology–the study of life itself–is being decimated and rebuilt as we speak. And 2. Eric Schadt is forging the path to the New Biology. Indeed his star is rising.

So the genomics guru commits all kinds of violence at work. And so do you. Read more →

What Does Jennifer Vidbel Plan to Do After 50 Years?

Haig Chahinian

As you recall, Jenny Vidbel is the animal trainer of the Big Apple Circus — which is coming back to town! Below is a transcript of the second segment of our recent interview. Read on to learn:

* how Jenny’s parents would have threatened her as a teenager
* about the peace she experiences at work,  and
* what she hopes to be doing fifty(!) years from now.

So, you were a teenager. With rebellion?

JV: No, we were on a circus, my grandpa’s circus, and we moved every day. We were in a different city every day, and there’s a lot of work. My sister and I had our jobs that we did, and it was with animals. We had a petting zoo that we would set up. We’d care for the animals, feed and water and clean them and do all that. So there was rebellion? No, there was just no time for it.

HC: You didn’t say “I’m not going to be in the circus, I’m going to be a lawyer!”

JV: No.

HC: To upset your parents.

JV: I think if they wanted to threaten us, they would say we were going to go home.  And you know, go to public school and live a normal life. That was the threat for us. (Laughter)

HC: I remember you mentioned that your parents were very supportive – if you wanted to be a dancer, whatever you wanted in your life, to stay home, they were supportive, so there wasn’t anything to rebel against?

JV: There really wasn’t.

HC: In your upbringing.

JV. Yeah.

HC: So you were able to focus, and develop your love for the animals.

JV: Yes, absolutely. My sister went a different route; she wanted to be an aerialist, so that’s what she did. My grandparents were not thrilled with that because there’s danger, a great deal of danger involved. But they supported her, and she’s an accomplished aerialist.

HC: Aerialist, not acrobat.

JV: No

HC: There’s a difference.

JV: Yeah, acrobats are on the ground. Aerialists are in the air.

HC: Not a trapeze artist?

JV: A trapeze artist is an aerialist.

HC: Is a kind of aerialist.

JV: Yeah.

HC: So this is something we learn as well, the differences of artists within the circus. Tell us more!

JV: When I was 12, my sister wanted to do aerial – when we were 12, we’re twins – I loved my grandfather’s little white ponies, I just adored them. And he had eight of them. I knew that’s what I wanted to do. I started out with one, and my herd just kept growing. As I got more experienced and really started learning about horses, that’s what I wanted to do.

HC: Looking back, a 12 year old knows things, also a 12 year old does not know a lot. As a 12 year old – I hear you say it with such certainty – how did you know? What indication did you have of your certain knowledge of what you wanted?

JV: I was around my grandfather my entire childhood. He had this great love for animals, and that’s where he spent his time. He was in the barn, with his animals, all day. He would do his last barn check at midnight, and he was up at six in the morning to be right back down there again with them. I followed him, that’s where I wanted to be. There was just no question. And it wasn’t really even a thought; I didn’t have this goal, or this idea that this is what I was going to do. It was what I was doing. And I loved it. I didn’t want to be anywhere else.

I was home schooled, my grandmother was our teacher and I just could not wait to get out of the house. I was a very good student because of that. We couldn’t leave, my grandmother was very strict with the school. We got up in the morning and we could not leave the house until we were finished with our lessons for the day. So I was quick. I’ll read, I’ll do whatever you want me to do. Please I want to go to the barn, please. So it was great motivation, I just wanted to be in the barn around all those animals.

And to be around my grandfather who had this love. I wanted that too.  I wanted his passion and love for what he did. He was so happy no matter what, and here I am doing the same thing. You would see my grandfather in the pouring rain trying to fix a tent, or a flat tire or whatever because it’s part of the business. Not only setting up and tearing down the tents and stables, but the in-between, the traveling. When you’re carrying a lot of animals in a trailer, you might get a flat tire, you might break down. But you do everything with joy. This is what we do and we love it.

HC: You talk about work almost like it’s the air you breathe.

JV: It is. It’s the hardest thing to explain. When people talk to me about my job, I say it’s not a job. It’s so far from a job. I’m doing what I love to do and I get paid for it and that’s amazing to me — that I can make a living out of this. It’s kind of like a hobby or it’s my passion that I’ve made into my career. It’s great.

HC: Congratulations on finding this, and living it, and thriving, so clearly. How do you know when you’ve done a good job?

JV: In whatever I do, if I’m starting a new project, there’s just kind of a peace that comes over me. If I’m unsettled in something, then I’ll slow way down and I’ll think I’m not going in the right direction. It has to feel 100% right. I think I’ve really succeeded when I’ll have these questions and I back right off and I look kind of to a higher power and go with what feels really peaceful. Sometimes it means just waiting, waiting for the right answer. And I will, and it always turns out perfectly. Not the way maybe I had planned, I had these ideas and if they don’t feel right I quickly back off. In the end, here I am at Big Apple Circus where I’ve wanted to be my entire life.

HC: Is that right?

JV: Yes.

HC: I want to get to that. “It turns out perfectly.” I heard you saying. And what I understood following that, is “perfectly as it was, perfectly as it is.” You have an acceptance, and so it is perfect, as it is.

JV: As it is. It wasn’t maybe the plan that I had, but this is far better than I could have dreamt up. I just went with it instead of being stuck to this path, this idea. I just went this other way and it turned out just beautiful.

HC: So Jenny is describing a kind of barometer of sorts, inside, that you pay attention to, that lets you know how you’re doing, guides you in some ways. I think a lot of people at work get sort of cloudy, that barometer, that internal measurement gets foggy, it’s hard to pay attention to. You relate such clarity in being guided by what you have inside.

JV: Yeah, and It’s a funny thing to try and explain. But you really need to have peace. You need to have peace about where you’re going. You don’t have to have clarity, but you have to have peace.

HC: What does that mean, “peace?” Read more →

Do This 1 Thing to Write Chart-Topping Hits

Haig Chahinian

We Americans love to talk. It makes us a wonderful and lively bunch in many ways. Still, from all the chatter we can become hard of hearing. And no matter how well we multi-task, it’s impossible to speak and listen at the same time.

Lamont Dozier, songwriter and producer extraordinaire, knows this well. He’s responsible in part for hits recorded by Marvin Gaye, the Supremes, Alison Moyet and other luminaries.

He recently spoke with the Trojan Family Magazine about his work, and shared with writer Allison Engel the one thing that primarily influences his songs:

A lot of the songs and ideas come from me being very observant and listening to people. I used to go into restaurants – I still do – and eavesdrop on people having conversations. I see lovers having quarrels and everything. Being a songwriter, I can’t help but listen. It gives me great material.

Yes! Active listening. He continues, about what it takes to teach songwriting:

First you have to be a good listener and an observer. A lot of people don’t know how to listen. They’re too busy trying to tell you about themselves. Also, I find myself opening my window early in the morning to listen to the birds. And you know some of the sweetest melodies and counter melodies come from birds chirping and tweaking little rhythms and things… I think all songwriters have listened to birds.

While we’ve poked fun at this underrated skill, here we see that listening is valuable in so many disparate careers, including penning songs.

It’s also a core component of bringing your whole self to work. Listening to what’s going on in your environment can help you identify how to relate the various parts of your self to the context of your work.

Dozier is currently teaching at USC, in the Thornton School of Music popular music performance program. His insight about the world of popular music probably sends his students soaring.

What do you hear when you engage in active listening at work?

Read the full interview here.

Image via